
Well, the hurricane never came, and so I guess I was justly rewarded with the hottest weekend of my life. Erin at one point said 'the must be what hell feels like' and I said I think we are still missing the open flames but man... each day was hotter than the last. But so was the music!
Friday we rolled into the fest around one, in time to catch a some of LEO KOTKE's set, a nice, austinish opening with a blueglass feel. He was playing with Mike GOrdon, bassist of Phish, so that was interesting. Kotke told like a five minute intro story for each song, so I don't think he was quite used to a one hour set.
We tracked back to the other side of the fest to catch KASABIAN, who, despite most of their songs sounding alike, turned out a monster performance.
The performance of the day came from husband and wife team MATES OF STATE,

who sounded even better live than on record. What was also cute was how they seemed to sing every song to eachother. Of course it was also Anniversery Weekend so I was a little biased toward people showing true love on the stage but they are one band ready to break. Great harmonies and tempo shifts right our of prog rock, all with an upbeat joy that cannot be denied. They have a new album due in November... but if you need a a qucik intro, check out their EP ALL DAY featuring 4 songs that are perfect including a fun cover of Bowie's Starman.
We tracked back to the other side of the fest for Lucinda Williams who gave a great preformance. The highlight would have to be her dedication of the song CRESCENT CITY to the people of New Orleans.
We again tracked back to the other side of the fest to catch hometown favorites SPOON, who were awesome live as usual. Tracks from the new album sounded great and dominated the set which closed with the new masterpiece MY MATHEMATICAL MIND.
Again back across the fest for the ALLMAN BROTHERS BAND - who let me tell you, were awesome. I wish more classic bands would realize that their is an audience out their waiting to hear them at festivals like this. THe fact that a majority of the bands playing ACL fest would not even exist with the Allman Brothers was not lost on an appreciative audience who enjoyed classics like Run to Keep From RUnning and WHipping Post (which kicked ass).
We were going to head back to other side to catch Keane but at this point, despite the fact the sun had finally gone done, we were exhausted and didn't really want to walk more than we had to (we still had to walk back to the car). The closing act was THE BLACK CROWES wwho, to be honest, were a little wanky. They played a great version of She Talks to Angels, but other songs droned on past 10 minutes with all sorts of blues wank. Honestly, we left. We were tired and wanted to take a shower.
DAY TWO was supposed to be lost to Hurricane Rita, or atleast a little soggy. Instead, we didn;t even get the cloud cover we had the day before, and were treated to tempertures in the high nineties. We started the day around one again, enjoying the ASYLUM STREET SPANKERS who, despite being under-miked for the fest with their acoustic sound, pleased the crowd with hillarous songs like HICK HOP and a cover of the Circle Jerk's TV PARTY.
The performance of the day also came early on saturday with former Soul Coughing frontman MIKE DOUGHTY

leading his new band through a selection of songs from his new album HAUGHTY MELODIC, his EP ROCKITTY ROLL, SOUL COUGHING, and surprising covers like HUNGRY LIKE THE WOLF, THE GAMBLER and PARADISE CITY. Then theree was new song/jam FIRETRUCK, which, if you don't know, is little joke DOughty has with his fans. He had a great rapport with the fans and hopefully made some new ones.
We headed back across the fest (for the only time that day - we learned our lesson) to catch indie rock stalwarts BUILT TO SPILL who were pretty awesome but very poorly mixed. A little too much feedback for the sound board to handle. Somewhere near the end of this set Erin decided she needed to find some shade so she went off in search of shaved ice and temps below 90. She caught some of the WEARY BOYS in the covered Capital Metro, while I braved the heat to save our place for the upcome DCFC show and watched THE FRAMES from Ireland, who sound like an irish version of Kasabian, in other words, an irish version of everyone else.
DEATH CAB FOR CUTIE exploded on the stage at 4:30 and the new album (PLANS) sounded great. They even threw an old SOMETHING ABOUT AIRPLANES track in for pre-OC fans (alwell as THE COMPANY CALLS from WE HAVE THE FACTS AND WE'RE VOTING YES). Anyway, it only confirmed the fact that DCFC cannot play for an hour. It's not enough time. They have gotten to headliner status very fast, and ACL just hadn't realized it.
We shifted our chairs from on stage to another (we had selected a location evenly between two) and enjoyed the bizarro punk of the FIERY FURNACES who are definitely a band to watch in the future.

Shift back to the other stage for Australian rockers JET, who really impressed us. They basically sound like Bachman Turner Overdrive meets AC/DC mixed with a little classic southern rock. How can that go wrong? THey felt huge on stage and definietly convinced me to buy their album.
Shifted our chair again for BLOC PARTY, a multi-cultural london ensemble with an eighties feel and ninties energy. We were enjying a Brick Oven Pizza (the best value in the food court) so didn't pay as much attention as we could, but they sounded pretty good. ALso, my chair broke.
The closing act of saturday was OASIS. Now let me tell you that I saw Oasis several years ago, but at the show I went to, Liam wasn;t feeling too well and Noel did the whole show himself. Which sounded the same. So it was little surprise to me that Liam was a spoiled little brat on stage saturday as well, such as walking off the stage introducing his brother with 'here's another song you won't know' or stopping a song in the middle to have them turn up his monitor. What a spoilt little brat. But they sounded great. ANd the new songs are finally back up to the level of their first two albums.
The final day, despite being the hottest (not a cloud in the sky) was the best all-around day for music. We began our day with indie singer-songwriter RACHEL YAMAGATA, who even led the crowd in a sing along.
The DOVES rocked out on the mainstage, very sharp especially during the percussion coda of THERE GOES THE FEAR. Every seemed to keep mentioning how hot it was in Austin.
THE BRAVERY sounded like the Killers, or rather, everyone else, but that didn't make them any less enjoyable. What did was lyrics like 'stop, drop and roll: you're on fire.' That and I was feeling like skin might in fact be on fire...

The most surprising performance of the day and quite possibly the best of the weekend came from THE ARCADE FIRE, montreal based rockers featuring violin, viola, frech horn, xylophone and a second percussionist who banged a cymbal so hard he broke it and them like basically passed out on stage. The music was comlicated and uplifting and influenced maybe by the Polyphonic Spree, and the Flaming Lips. One influence was worn on their sleeves, David Bowie, as they covered the great FIVE YEARS from the Ziggy Stardust album. Their set was so good, I rose from my heat induced slumber and stood up and danced.
As if that hadn't been good enough, they were followed by THE DECEMBRISTS, singing about scurvy, chimney sweeps and intramural sports. They even played about french canadien pirates and dedicated it to the Arcade Fire. This band also featured strange instrumentation (accordian, violin, xylophone) and if you don't know this band, you really should check them out. It was still pretty darn hot but the arcade fire gave us a second wind.
The sun set during FRANZ FERDINAND which was really glorious, and of course revealed the giant cloud of dust that had settled over the park. We found out the next day that it was actually 107 degrees. That's right ONE HUNDRED AND SEVEN FREAKING DEGREES!!!!! Anyway, the scottish rockers debuted some great new material but really pleased the crowd with their hits, such as THIS FIRE and TAKE ME OUT. They certainly played like they were a headliner, and I am sure many of the people had come to see them and parked their chairs for Coldplay later but as good as FF is, I think they need to evolve a little if they are going to have staying power.
Erin and I had long since decided we didn't need to see 'headliners' Coldplay, so the final set of the night was Chicago-based post-rock/experimental TORTOISE who was simply amazing. Six bandmembers all of whom switched instruments several times created really complicated and brillaint music. Much of the show featured dual drummers, sometimes dual xylophonists (what was it is with xylophones todays?) - or rather a xylophone, a glockenspiel and a synthesized marimba. WOW. Unfortunately their closing number was so freaking loud and featured such piercing frequencies they may have permenently damaged Erin's hearing. But she was a little better this morning.
Anyway, a great fest. But a little damn hot.